Laurent Le Deunff

Pleased to meet you #12, 2022

Semiose éditions

Text by Dorothée Dupuis, conversation between Laurent Le Deunff and Steven L. Bridge

80 pages, fr/eng stitched, softcover
11.81 x 9.06 inch ( 30 x 23 cm )
isbn : 978-2-37739-056-4

14.00 €
80 pages, fr/eng stitched, softcover
11.81 x 9.06 inch ( 30 x 23 cm )
isbn : 978-2-37739-056-4
Pleased to meet you #12 - Laurent Le Deunff
Pleased to meet you #12 - Laurent Le Deunff
Pleased to meet you #12 - Laurent Le Deunff
Pleased to meet you #12 - Laurent Le Deunff
Pleased to meet you #12 - Laurent Le Deunff
Pleased to meet you #12 - Laurent Le Deunff

Our guest of honor for this new installment of Pleased to Meet You is the artist Laurent Le Deunff. He happily dips his pencils in the pure water of country streams, using myths of origin as backdrops and cartoon gags as plotlines, while tracking, poaching and taking a ride on ancestral dreams linked to the living. As an accomplished cryptozoologist, he incessantly repeats the demiurgic act of modelling things from clay-or papier-mâché, or cement-and can boast of having created numerous hybrid animals, mutant creatures from the wild and the studio, zombies and fossils. On Le Deunff's ark, where a deer can easily take on the form of a slug or a cow that of a man, the various phyla frolic in a state of happy fluidity worthy of Metamorphoses.

Alongside a dense portfolio of photos from the artist's studio, we have also included a wide variety of views captured at recent exhibitions. Le Deunff is interviewed at length by Steven L. Bridges, the Director of Curatorial Affairs at the Eli & Edith Broad Art Museum and is also the subject of an essay by Dorothée Dupuis, an exhibition curator, art critic and publisher, based in Mexico City.

Laurent Le Deunff

Laurent Le Deunff was born in 1977, in Talence (France) and lives and works in Bordeaux. A walnut shell made of oak (the size of a football) a femur made of alabaster or a mattress decorated with gold leaf, Le Deunff's sculptures deceive the eye through the distance between the materials he uses and the subject represented. Rudimentary materials such as paper-maché and fingernails alternate with noble bronze and natural wood. His textured virtuoso drawings (done in series) reveal the sculptural power of animal sexuality. In this, the artist is reactivating a form of archetypal primitiveness. Tents, fires, trophies, totems and charms remind us of the early primitive side of civilization.

His work was exhibited at the Mauvaise Réputation gallery in Bordeaux (2016), at the FRAC Île-de-France (2015) at the Semiose Gallery in Paris in 2013 and 2015, the Normandy FRAC in 2012 and at the Musée des Beaux Arts in Libourne in 2011. It can be found in the collections of the Musée d'Art Moderne de la Ville de Paris, the CAPC-Musée d'Art Contemporain de Bordeaux as well as in various FRACs and Artothèques across France.