Françoise Pétrovitch
Dialogues inattendus au Musée Marmottan Monet, 2025
Semiose, Musée Marmottan Monet
Since 2019, the Musée Marmottan Monet has invited a creator to produce works related to its collections. Through their critical eye and their practice, 21st-century visual artists enrich the approach, the feeling, but also the knowledge of the works of their predecessors. The past feeds the present. The reverse is equally true. Françoise Pétrovitch is the ninth artist to be invited to these "Dialogues inattendus".
Maintaining a constant exchange with the artists who have gone before her, it was only natural that Françoise Pétrovitch should be invited by the Musée Marmottan Monet to take part in an "unexpected dialogue". It was with a series of "Suns" that she chose to engage in dialogue with another painter, Berthe Morisot. The two artists have in common an exploration of a multiplicity of artistic techniques, a desire to capture the intimate in all its depth and a taste for the fragment. Each tells the story of her own era, and this exchange between them highlights the evolution of the way we look at the world, from the promising days of Impressionism to the anxieties of the 21st century.
Françoise Pétrovitch
Since the 1990s, Françoise Pétrovitch has produced one of the most powerful bodies of work on the French art scene. Amongst the numerous media she has explored—ceramics, glass, ink washes, painting, print and video—drawing retains pride of place. In constant dialog with the artists who have preceded her, she has been able to measure herself against the incontrovertible motifs of “high art”—Saint Sebastian, still lifes, etc. Pétrovitch’s art reveals an ambiguous world, willingly transgressive, playing with conventional boundaries and eluding any interpretation. Intimacy, fragments of life and disappearance, alongside the themes such as the double, transition and cruelty run through her work, which is inhabited by animals, flowers and beings, and whose atmosphere fluctuates between light and dark, rarely leaving the spectator unmoved.
She has enjoyed numerous solo exhibitions both in France and abroad, as in the Fonds Hélène et Édouard Leclerc in Landerneau and the Bibliothèque nationale de France, Paris, in 2022, and the Musée de la Vie romantique, Paris, in 2023. In 2018, she was the first contemporary artist to be awarded a solo exhibition at the Louvre-Lens. Over the past few years, Pétrovitch has produced monumental wall drawings and large format ensembles, for the Galerie des Enfants at the Centre Pompidou, the West Bund Museum, Shanghai, or for the Ballets du Nord Company. Her works are included in many private and public collections, most notably the Centre Pompidou, Paris (FR), the Voorlinden Museum, Wassenaar (NL), the National Museum of Women in the Arts, Washington D.C. (US), the Musée Jenisch, Vevey (CH), the Musée d’Art Moderne et Contemporain of Saint-Etienne (FR) and of Strasbourg (FR), the MAC VAL (FR), the Salomon and Guerlain Foundations as well as Emerige Endowment Fund.