Ernest T.

Face à Face, François Coadou, 2026

Semiose éditions

108 pages, 30 illustrations, soft cover
7.09 x 4.33 inch ( 18 x 11 cm )
Face à Face

12.00 €
108 pages, 30 illustrations, soft cover
7.09 x 4.33 inch ( 18 x 11 cm )
Face à Face
Face à Face, François Coadou - Ernest T.
Face à Face, François Coadou - Ernest T.
Face à Face, François Coadou - Ernest T.
Face à Face, François Coadou - Ernest T.
Face à Face, François Coadou - Ernest T.
Face à Face, François Coadou - Ernest T.
Face à Face, François Coadou - Ernest T.
Face à Face, François Coadou - Ernest T.

In this erudite conversation with the historian and philosopher François Coadou, Ernest T. elaborates on his most daring misdeeds, slips in a few well-deserved jibes and shares memories from his earliest childhood days. We follow the musings of a post-war child who already detested religion, found school horribly boring and preferred to let his imaginary world take shape through illustrated dictionaries. His arrival in Paris, the applied arts and the booksellers along the quays of the Seine, and above all the political context of the "Algerian Situation" and May 1968 shaped his artistic development. Between his early bread and butter jobs, he honed his style through caricatures for the press and commercial illustration, before setting forth on a more personal artistic path.

During this interview, he recalls his many encounters with leading figures of Surrealism (Achille Chavée, Pol Bury, André Balthazar...), Situationism (Maurice Henry) and many of Paris' anti-establishment artists dedicated to the creation of provocative images (Cavanna, Topor, Siné...).

Ernest T.

Born in Mons (Belgium), Ernest T. lives and works in Paris. The artist is as fastidious about his anonymity as he is in his examination of the world of art. Cupidity, pretention, romanticism, hysterical attachment (to the signature, to the hidden meaning of a work), nothing escapes his press drawings and their outmoded style, captioned and enlarged to the size of a canvas. His peintures nulles (useless paintings) (geometric abstracts in the shape of a T), his drawings "in the style of", his pamphlets, collages and aphorisms transform imposture and hoax in to an art-form.

Filled with humour and mischievously satirical, his work can be found in the collections of the MAMCO in Geneva (where he has been exhibited on several occasions) and numerous FRACs across France.

Micro-Onde, centre d'art de l'Onde, organised an important solo exhibition of his work in 2015.